stonefruit staged reading

My first full-length script is getting a staged reading!!!

I started writing šŸ’stonefruitšŸ’ in 2015 as a junior in college. It was a 5 page script at first. Then I expanded it to 28 pages. And then put it away for 5 and a half years….

Last year, I revisited it through @bindlestiff_sf’s full-length playwriting class, expanding it again and writing a first draft of 64 pages.

Now, in 2022, the play is 82 pages and ready for actors and a director to work with it so I can keep improving it. The staged reading will help me figure out what works and what needs more. Time to keep growing 🪓

The story of šŸ”²Teo and šŸ”³Carrie has stuck with me all these years. Maybe it’s because it comes from a real moment in my life when I was barely 20 years old, being on the brink of adulthood and navigating new and old relationships/friendships.

With this story, I strive to write the realities of growing up, family legacies, farm workers, immigrants, and migration.

I’m thankful to Bindlestiff and @velascoarts for uplifting my voice and for being a safe space for me as a woman of color, as a Filipina, as a Latina.

Come watch šŸ’stonefruitšŸ’ on May 1 and the other plays throughout the first week of Asian American & Pacific Islander Heritage Month! I’d love to hear what you think 😃 Link in bio for tickets (available for in-person and virtual livestream).

Also yes swipe for the videos I watched on YouTube for research

When I have staged reading coming up…

ā€œIt feels like I could just keep turning and turning and turning and if I keep turning, toes to grass to hands to grass to toes… maybe when I get right side back up again, everything would be alright.ā€ šŸ¤øšŸ½ā€ā™€ļø this is one of my favorite lines from my latest play ā€œthe alebrije play.ā€ when are you happiest?

I watched a musical-in-development online the other week and I signed up for the newsletter updates and I wrote in my form that it can be lonely being a theatre artist whenever you’re outside the theatre space. I know this isn’t just for theatre artists, but all kinds of artists: you have to be your own PR person to sell your work, to get eyes on your art. if you don’t sell tickets, does anyone even care? do we just give it up to the Industry? … my answer is: first and foremost, I write for myself. and I care about me and I believe in my art. when I’m in rehearsal, i feel so alive and challenged and humbled and not-so-lonely.

anyway. if you’ve ever felt happiness, grief, loneliness… here’s a sunflower 🌻 and if you made it this far, thanks for reading and I invite you to watch Alebrije on saturday night. (link in bio). (yes this is me being my own PR and being authentic).